DG - DE-CONSTRUCTION RE-CONSTRUCTION

A Creative Manifesto for Radical Reinvention

Creative strategies for a new way of living and creating.
Philosophical prototypes for making sense in a collapsing world.

⤷ THE CURRENT SITUATION DEMANDS A BREAK

It can’t go on like this. Not personally, not culturally, not cosmically.
The systems are obsolete. The models are exhausted. The frameworks are hollow.

Old structures—taxonomies, grand narratives, linear progressions—are crumbling.
They no longer hold. They no longer mean.

We don’t need repair.
We need a re-wiring of perception.
We need new operators of consciousness that allow us to reinterpret, recode, re-narrate reality.

We need a new mythopoetics.
A visual language born from the deep sediments of our cultural memory—
☉ archetypes
☉ dream-maps
☉ synchronicities
☉ ruins

The fragments are here. They’re waiting.
But the method must be re-invented.

Thought must become cinematic. Poetic. Experimental.
Only then is transformation even thinkable.

⤷ PRINCIPLES OF RADICAL RE-CONSTRUCTION

✦ THE BREAK IS NECESSARY

We are not fixing a system. We are performing an archaeology of the future.
What remains of tradition must be excavated—not to preserve it, but to let it mutate.

✦ THE MYTHO-ALCHEMICAL METHOD

Return to archetypes and primordial symbols as seed-points for new narratives
Harness synchronicity as a hidden syntax of the real
In practice: e.g. The Porto Project, where urban space becomes a mirror of psychic landscapes

✦ NON-LINEAR ASSEMBLAGES

Work with acausal montage, linking fragments of film, code, sound, and image
Embrace the Real (in the Lacanian sense)—the inexpressible gap as a generative void
Narrative as rhizomatic drift, as in the Brunsberg Turning Points
A storytelling not of events, but of thresholds

✦ PARADOXICAL ONTOLOGIES

Simultaneity of destruction and creation – the Phoenix logic
Linguistic mutations – inventing new words as epistemic tools
Manifested through digital gardens – blooming knowledge-palimpsests

✦ FILMIC EPISTEMOLOGY

The camera as a philosophical instrument
Visual essays as thinking in motion
Film as a ritual of decoding the invisible

⤷ STRATEGIES IN MOTION

DECONSTRUCTION LABS
→ experimental formats beyond blogs and vlogs
→ e.g. decaying NFTs, flickering dreamscapes, code-poetry rituals
INVENTING NEW INSTITUTIONS
→ nomadic "thinking-cloisters" for temporary philosophy
→ spaces of intellectual retreat without permanence
ECOLOGIES OF THE FRAGMENTED
→ embrace incompleteness as form
→ curate work cycles as open-ended gestures

"Crisis is not the problem—it’s the raw material."
(from your “Creative Paths” notes, radicalized)

⤷ TOOLKITS FOR CREATIVE FUTURES?

Why not design practical protocols based on these metaphysical methods?

A Synchronicity Protocol
A Mythopoetic Generator
A Fragment-Assembler for Nonlinear Storytelling
A Film-Philosophy Field Kit

⤷ TOWARD A POSTDIGITAL MYTHOLOGY

The future of creativity isn’t about content. It’s about encoding meaning into being.
Through paradox. Through play. Through poetic rupture.

A new kind of practice is needed—at once intuitive and rigorous, spiritual and synthetic.

PERSPECTIVAL BEING

To be perspectival is to live with roots in flux.
To inhabit contradiction.
To trust fragments.
To walk with no map but myth.

This is not self-help. This is self-creation.
This is not a guide. This is a generator.

Let the collapse be your canvas.
Let the ruins whisper your next form.